Saturday, November 26, 2016
Monday, October 10, 2016
Gloucester Arts on Main has First Annual Juried Members Show
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| "At the Opening" ©Mary Montague Sikes |
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| "At the Opening and More" ©Mary Montague Sikes |
Gloucester can be proud of this ambitious venture that has brought in artists from all over the area. Besides presenting shows, the gallery holds art workshops and promotes the arts in many other ways as well.
Artists represented in the show will be at the gallery throughout the month of October. Some will present demonstrations of how they create their work. The gallery is open Wednesday through Saturday from 12 noon to 5 p.m.
Tuesday, August 23, 2016
What Artist Workshops Inspire You?
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| "Fitness Machine" acrylic/mixed ©Mary Montague Sikes |
One of my favorites to teach is "Creating with Texture and Design". The painting to the left,"Fitness Machine," is one of my works of art that has texture built up with acrylic mediums beneath the paint surface. I love the study the way the light reflects on the luscious images that glow in this abstract painting on canvas.
The textured work of Jan Sitts first inspired me. I have followed her painting career for a number of years and finally went to Sedona, Arizona to take a workshop with her there. It did not disappoint. However, I discovered taking a workshop when you are flying into the city is far different from taking one, or teaching it, when driving. I use a lot of different mediums in my work, including thick white gesso, regular gel medium, heavy gel medium, gel with beads, and more. Since I spread these materials on my canvas with a painting knife, it takes a while for them to dry. When I can pack up my work in a car, there's no problem with the still soft surfaces. However, when flying, you need to pack up the work and ship it on the last day. That creates lots of problems and extra expense.
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| "Bell Rock" ©Mary Montague Sikes |
My acrylic/mixed media painting, "Bell Rock," was inspired by the Jan Sitts workshop. So was "Pthalo Mountains."
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| "Pthalo Mountains ©Mary Montague Sikes |
Mary Ann Beckwith taught me to love Yupo as a painting surface. A workshop with Carrie Brown led to broken barriers and greater love of texture. She taught me to use thick gesso in ways I had never before tried. She taught me to adore the square format.
My next workshops will be in Hilton Head, South Carolina and in Gloucester, Virginia. Please contact me at monti7olen@verizon.net for more information about registering.
Friday, July 22, 2016
The Tapestry for Peace
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| "Angel of the Earth and Sky" ©Mary Montague Sikes |
That's what the late Eve Mackintosh learned from her vision of an angel almost 20 years ago. I met Eve not long before she died in 2005 and am so glad to have had the experience of knowing her. She inspired me to create an angel panel for the Tapestry for Peace project. Please read all about the project at Notes Along the Way.
Before I shipped my watercolor on linen panel called "Angel of the Earth and Sky" off to Denver CO, I brought it to Petersburg Regional Arts Center to hang for a short while. I couldn't help but be fascinated when I found this photograph from the old days at PRAC because I am standing by the same staircase that now has been so elegantly restored at the Ward Center for Contemporary Art. (See the second photo.) Notice that the floors have been beautifully redone as well.
The Tapestry for Peace project brought together art work from around the United States and elsewhere with the concept of peace. Sadly, Eve's vision of the project traveling around the world, inspiring children with dreams of peace, has not yet come to fruition. Perhaps it will one day. After all, "There's a place in space for peace." Hopefully if will be on planet earth.
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| Restored staircase at the Ward Center for Contemporary Art ©MMSikes |
Monday, July 11, 2016
Visit The Ward Center for Contemporary Art for a Journey Through Time
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| With Noelle Ward and "Dunn's River Falls II" |
It was a fascinating time. I watched Old Towne go down following a damaging tornado, then rise up again. I saw original artists disappear from their gallery spaces, and new ones come in to replace them. Soon after Rusty carried a large painting up to the third floor for me (since it was too long for the elevator), he vanished due to illness. His mother was gone soon after, leaving only his sister Donna to carry on. She worked with enthusiasm, but there was a severe sense of loss because hopes and dreams were left in the lurch.
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| "Monet's Pond" and "Budding Falls" in the Underground |
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| "Rose Hall Great House" |
Friday, June 24, 2016
Using a French Easel to Paint En Plein Air and Indoors As Well
A couple of years ago, I painted en plein air at the Rosewell Plantation ruins
in Gloucester. Construction on the magnificent brick house began in
1725. Eventually, it was described as the largest and finest colonial
home in America. Thomas Jefferson did some of his first writing at
Rosewell. Sadly, the old mansion burned in 1916. The remains are iconic
and a little bit eerie.
For many years, I toyed with the idea of purchasing a French Easel to set up for outdoor painting. Although I looked at art stores and online, I never found one that appeared sturdy and attractive for a price I was willing to pay. After all, with all the insects we have in Tidewater Virginia, I'm not sure how often I will use it. Then I studied easels on line some more and looked once again at the Cheap Joe's American Journey French easel and decided it was the one for me. With the specials and other items I ordered, I was able to get free shipping which always attracts me. Since it didn't ship until Thursday, I was worried I wouldn't get it in time for my Saturday event. However, we seem to have a direct route (with regular shipping) from Boone NC to my home. The two boxes arrived on my doorstep by noon last Friday.
The French easel is even nicer than I expected. I love the convenience of the drawers and compartments. Using Rembrandt soft pastels and a few Senneliers, I completed a pastel painting on the grounds of Rosewell. In my studio, I added a few color highlights to the painting. I still have not tried the Sennelier oil pastels I ordered, but that's a project for a different day.
Now I'm looking forward to another excursion en plein air. At my house, the gnats and mosquitoes are out full force. We were fortunate that insects were not a problem for painting at Rosewell Plantation ruins.
As for Rosewell Plantation, I wonder if someday a restoration will take place. So much history lies hidden among the ruins.
Since my first en plein air excursion at Rosewell, I have used my easel to paint outside New Town Gallery (now closed) and at Prince George Gallery on Jamestown Road in Williamsburg. I plan to paint with it once again this Saturday when we will have a floral still-life set up for the Italian Picnic and Open House at Prince George Gallery.
For many years, I toyed with the idea of purchasing a French Easel to set up for outdoor painting. Although I looked at art stores and online, I never found one that appeared sturdy and attractive for a price I was willing to pay. After all, with all the insects we have in Tidewater Virginia, I'm not sure how often I will use it. Then I studied easels on line some more and looked once again at the Cheap Joe's American Journey French easel and decided it was the one for me. With the specials and other items I ordered, I was able to get free shipping which always attracts me. Since it didn't ship until Thursday, I was worried I wouldn't get it in time for my Saturday event. However, we seem to have a direct route (with regular shipping) from Boone NC to my home. The two boxes arrived on my doorstep by noon last Friday.
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| "Painting at Rosewell" ©Olen Sikes |
The French easel is even nicer than I expected. I love the convenience of the drawers and compartments. Using Rembrandt soft pastels and a few Senneliers, I completed a pastel painting on the grounds of Rosewell. In my studio, I added a few color highlights to the painting. I still have not tried the Sennelier oil pastels I ordered, but that's a project for a different day.
Now I'm looking forward to another excursion en plein air. At my house, the gnats and mosquitoes are out full force. We were fortunate that insects were not a problem for painting at Rosewell Plantation ruins.
As for Rosewell Plantation, I wonder if someday a restoration will take place. So much history lies hidden among the ruins.
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| "Rosewell En Plein Air" ©Olen Sikes |
Tuesday, May 17, 2016
The Anderson Gallery, 45 Years of Art on the Edge
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| "Desert Mountains" - Oil on Canvas ©Mary Montague Sikes |
When it was time for my graduate thesis exhibition, I was thrilled that it took place in Anderson Gallery. My large mountain paintings glowed in the perfect gallery lighting. "Desert Mountains" is a 48" x 84" oil painting that was part of that show. Along with 11 other students in my MFA painting class, I spent two years going full time to earn my master's degree. We had visiting artists from New York and California who taught us so much as we got the chance to watch them work in the old school turned studio building along with us. Anderson Gallery was the center for it all.
Bernard Martin is one of the authors of the book about the history of the gallery. I was a student in his painting classes for a couple of years before I was accepted into the master's program. He was an outstanding instructor who taught me so much about making art.
One of the pastel working drawings from my graduate thesis show is part of the permanent collection of the Anderson Gallery. A few months ago, I received a letter from the gallelry informing me that it would be moved to the new location.
The Anderson Gallery was an important part of my years at VCU. I cherish my memories from those days.
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